Composition with Twelve Tones Essay Example | Topics and Well Written Essays - 2000 words

Composition with Twelve Tones - Essay Example The researcher states that it was in the early 19th century (between 1911 and 1922) that Schoenberg was searching for something new, something that may replace the traditional and old scheme of composition of music pieces. He believed that the old music was using just one or two tones as the core elements of its compositions. These two elements according to him were the tone / tonality and dissonance. According to Schoenberg these elements were stretched and used throughout the composition which he did not appreciate. As a result Schoenberg came up with a new idea that all the twelve tones must be utilized while composing music. Through it he was assure of the fact that no single tone will get the significance and all tones will be heard and balance each other in any composition. If we try to understand ‘The method of composing with twelve tones grew out of necessity†¦such a change became necessary when there occurred simultaneously, a development which ended in what I cal l the emancipation of the dissonance’, Schoenberg actually pointed out towards the surplus use of dissonance in the late 19th century by the composers like Strauss, Debussy and Wagner. These composers used dissonance freely as the basic element of music. This was indeed a thorough change in the techniques of compositions and thus it ended in what Schoenberg’s has stated as ‘Emancipation of the dissonance’. It has been noticed that the majority of the Schoenberg’s twelve tone composition portrays some characteristics which summons the forms of large scale tones. The music composition included all the major and minor keys from A to G. However his prediction regarding the popularity of the twelve tone composition did not come to reality. He thought that with the formation of the twelve tone composition he can spread and sustain the Germanic Music for the coming ten decades. Actually it did not happen. Schoenberg’s twelve tone system gained popul arity in the 20th century only. However at present musicians are unaware of the system and does not even aware of what twelve tone composition (Taylor & Melchior, 1993). With the formation of the twelve tones composition there was a simultaneous development in the music composition which was called the emancipation of dissonance. Emancipation of dissonance is also a concept in music composition which was formulated by Arnold Schoenberg  and some other composers. In this emancipation he declared no difference or change in dissonance or consonance. According to Schoenberg, just like any other feature of life, music is also historically foreseeable. With this assumption and his establishment of the twelve tone composition he thought that he can hold German music for the coming 100 years. His representation was classical and portrayed a sequence in which principle of evolution was symbolized by chromatic scale. He further assumed the twelve tone composition as a replacement for functi onal tonality. The development of twelve tone composition was considered to bring a change in music style whereas the change was brought to an end with the development of emancipation of dissonance. However for the use of twelve tone composition he emphasized on not using or avoiding traditional dissonance or simple consonance (Encyclop?dia Britannica, 2013). It is evidenced from Music literature that Schoenberg was very

Experimental Design and Analysis Coursework Example | Topics and Well Written Essays - 1250 words

Experimental Design and Analysis - Coursework Example In the light of these results how could you improve the experiment? The experiment was done such that it was intended to find out the degree of adhesity of different types of plasters. There were 4 plasters tested, namely, A, B, C and D. each of these have a different degree of being adhesive and this is what the experiment was set out to establish. In that respect, the experiment was founded upon the concept that depending on the degree of adhesiveness of a plaster, it gets to pull out different numbers of hair from the skin of an individual. This is the attribute that was used to design the experiment and it led to a remarkable result that is indeed plausible. Different people were used in the experiment in an effort to ascertain the results. The human skin is made up of some hair particles that can come out readily in the event that the skin is subjected to the throngs of a plaster that has adequate level of adhesive strength. As such, the different plasters were glued on the skin of an individual one after the other. Starting with the plaster A, on to B, then C and finally D, the plasters were stuck on the skin of an individual. In each case, the plasters were pulled out in a half and an observation made on the effect that the plaster had on the skin. Each of the plasters was observed to have a different effect on the skin of an individual. It was made sure that the portion of the skin where the plaster was suck had hair and in that regard the effect on the hair was observed. Some of the plasters had the effect of pulling out fewer hair particles than others. The number of hair hat was pulled out by each of the plasters was then counted. This was recorded against the plaster type for each individual. Different instances of the experiment were conducted such that for each instance, different numbers of individuals took part in the experiment. In most of the instances, there was just one individual taking part in the experiment and in that respect different